#interesting but not appealing

[mecachrome]

oscar x self-perception

[meltesh28]

just need to get it out of my system.. ruan mei in cheongsam...

[maishairbuns]

Imagining Zuko having a secret crush on Katara throughout book 3 is soo good and angsty and peak drama. What if you tenderly touched my face during a shared moment of vulnerability, and then I betrayed you anyway. What if afterwards I couldn't get you out of my head, so I tried kissing another girl in hopes that might fix it. What if I came back to you, but you hate me so much now that being around you feels like getting my heart ripped out, and I have no one to blame except myself. What if I fell in love with a girl who despises me.

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[watermelonkiss]

what if… trolls but…. fraggles ??

[raviollies]

I know it's been said but the changes to Maria really grate on me because....this doesn't even read as the same character anymore. Maria's design was purposeful, a very clear specific concept of a 'cool sexy girl who wears leopard print and crop tops, and have a belly button piercing and a tattoo' - it combines to a stand out character portrait of not just Maria but of James, because THATS what he finds sexy and was a stark contrast to modest, sickly Mary. The new design literally just looks like a teacher or a manager now, what the hell is that supposed to tell me about either of their sexualities.

And no this isn't a case of 'tHe cEnSorINg' - this is just misunderstanding the themes. Maria wasn't needlessly sexy, objectified for the viewer; her sex appeal was referenced in the story, and was an important part of it, one of the MAJOR themes.

[orb-weaving]

Recognition

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[yellowwwcrayon]

It's so fascinating how certain character ships have such charged chemistry off the bat you know they smash nasty, and then there are others that are just inherently nonsexual, like they have Barbie genitalia or something.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[sunnibits]

potentially hot take but this is a pet peeve of mine

[pankomako]

genuinely curious how many people share this sentiment

i ask because personally im demiromantic/demisexual and i'll think someone looks attractive but generally not feel any desire to date or sleep with them. im wondering if this is a common thing or if others think differently? please tell me your experience with this!

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[bestanimal]

Round 1 - Phylum Arthropoda

(Sources - 1, 2, 3, 4)

Arthropoda is a phylum of animals that have segmented bodies, possess a chitin exoskeleton, and have paired segmented appendages. They are colloquially called “bugs” though this is often only used for terrestrial arthropods, and sometimes only used for insects specifically.

After Nematoda, this is the most successful phylum, and it is far more diverse, with up to 10 million species! Arthropods account for 80% of all known living animal species. The three major subphyla include the Chelicerates (sea spiders, horseshoe crabs, arachnids, and the extinct eurypterids and chasmataspidids), the Myriapods (centipedes and millipedes), and the Crustaceans (shrimps, prawns, crabs, lobsters, crayfish, seed shrimp, branchiopods, fish lice, krill, remipedes, isopods, barnacles, copepods, opossum shrimps, amphipods, mantis shrimp, entognaths, and insects).

Arthropods are so diverse in fact that it is next to impossible for me to describe a model arthropod. They are important members of marine, freshwater, land, and air ecosystems and are one of only two major animal groups that have adapted to life in dry environments, the others being chordates. All arthropods have an exoskeleton and must molt as they grow, replacing their exoskeleton. Some arthropods go through a metamorphosis in this process. They have brains, a heart, and blood (called hemolymph, though some crustaceans and insects also use hemoglobin). They sense the world through small hairs called setae which are sensitive to vibration, air currents, and even chemicles in the air or water. Pressure sensors function similarly to eardrums. Antennae monitor humidity, moisture, temperature, sound, smell, and/or taste, depending on species. Most arthropods have sophisticated visual systems ranging from simple eyes (ocelli) which orient towards light, to compound eyes consisting of fifteen to several thousand independent ommatidia capable of forming images, detecting fast movement, or even seeing polarized or ultra-violet light. Some arthropods are hermaphroditic, some have more than two sexes, some reproduce by parthenogenesis, some by internal fertilization, some by external, some have complex courtship rituals, some lay eggs, some give live birth, some have prolonged maternal care. The first arthropods are known from the Ediacaran, before the Cambrian era.

Propaganda below the cut:

Insects are the first animals to have achieved flight

The smallest arthropods are the parasitic crustaceans of the class Tantulocarida, some of which are less than 100 micrometres long. The largest arthropod is the Japanese Spider Crab (Macrocheira kaempferi) with a legspan of up to 4 metres (13 ft) long. The heaviest is the American Lobster (Homarus americanus), which can get up to 20 kilograms (44 lb).

Many arthropods are popular pets, including various species of crab, shrimp, isopod, crayfish, mantis shrimp, millipede, centipede, tarantula, true spider, scorpion, amblypygid, vinegaroon, mantis, cockroach, beetle, moth, and ant! Some are even domesticated, including silk moths and honeybees.

Many arthropods are eaten by humans as a delicacy, and farming insects for food is considered more sustainable than farming large chordates. These farmed arthropods are referred to as “minilivestock.”

Arthropods feature in a variety of ways in biomimicry: humans imitating elements of nature. For example, the cooling system of termite mounds has been imitated in architecture, and the internal structure of the dactyl clubs of mantis shrimp have been imitated to create more damage tolerant materials.

Spider venoms are being studied as a less harmful alternative to chemical pesticides, as they are deadly to insects but the great majority are harmless to vertebrates. They have also been studied and could have uses in treating cardiac arrhythmia, muscular dystrophy, glioma, Alzheimer's disease, strokes, and erectile dysfunction.

Shellac is a resin secreted by the female Lac Bug (Kerria lacca) on trees in the forests of India and Thailand. It is used as a brush-on colorant, food glaze, natural primer, sanding sealant, tannin-blocker, odour-blocker, stain, and high-gloss varnish. It was once used in electrical applications as an insulator, and was used to make phonograph and gramophone records until it was replaced by vinyl.

One of the biggest ecosystem services arthropods provide for humans is pollination. Crops where pollinator insects are essential include brazil nuts, cocoa beans, and fruits including kiwi, melons, and pumpkins. Crops where pollinator insects provide 40-90% of pollination include avocados, nuts like cashews and almonds, and fruits like apples, apricots, blueberries, cherries, mangoes, peaches, plums, pears, and raspberries. In crops where pollinators are not essential they still increase production and yield. Important pollinators include bees, flies, wasps, butterflies, and moths.

Many arthropods are sacred to humans. In Ancient Egypt, scarab beetles were used in art, religious ceremonies, and funerary practices, and were represented by the god Khepri. Bees supposedly grew from the tears of the sun god Ra, spilled across the desert sand. The goddess of healing venomous bites and stings, Serket, was depicted as a scorpion. Kalahari Desert's San People tell of a legendary hero, Mantis, who asked a bee to guide him to find the purpose of life. When the bee became weary from their search, he left the mantis on a floating flower, and planted a seed within him before passing from his exhaustion. The first human was born from this seed. In Akan folklore, the cunning trickster figure Anansi/Ananse is depicted as a spider. Western astrology uses the crab constellation, called Cancer, and the scorpion constellation, called Scorpio. Dragonflies symbolize pure water in Navajo tradition. In Anishinaabe culture, dreamcatchers are meant to represent spiderwebs and are used as a protective charm for infants. They originate from the Spider Grandmother, who takes care of the children and the people of the land in many Native American cultures. The Moche people of ancient Peru often depicted spiders and crabs in their art. In an Ancient Greek hymn, Eos, the goddess of the dawn, requests of Zeus to let her lover Tithonus live forever as an immortal. Tithonus became immortal, but not ageless, and eventually became so small, old, and shriveled that he turned into the first cicada. Another hymn sings of the Thriae, a trinity of Aegean bee nymphs. Native Athenians wore golden grasshopper brooches to symbolize that they were of pure, Athenian lineage. In an Ancient Sumerian poem, a fly helps the goddess Inanna when her husband Dumuzid is being chased by galla demons. In Japanese culture, butterflies carry many meanings, from being the souls of humans to symbols of youth to guides into the afterlife. Ancient Romans also believed that butterflies were the souls of the dead. Some of the Nagas of Manipur claim ancestry from a butterfly. Many cultures use the butterfly as a symbol of rebirth. And the list goes on…

cute crab eat a strawbebby:

[youngpettyqueen]

truly a crime we didnt get to see more of Miles' reaction to Julian being augmented because I think he should've punched Richard Bashir in the face

[ozzieinspacetime]

Trevor Hills being Pathetic Blorbo #1 and your enjoyment of him being said Pathetic Blorbo #1 just adding on to the games pre-existing meta commentary is,, so good. They made him as miserable as possible and god it really worked.